Idlewild: Michigan’s “Black Eden"

Idlewild: Michigan’s ‘Black Eden’

Idlewild Lake
A Chicago man and two women lounge on the beach at Idlewild, Michigan, date unknown. Courtesy of Ronald J. Stephens
Idlewild, Michigan

The racism of the early twentieth century kept America’s black middle class away from most of the resorts, restaurants, and clubs enjoyed by their white counterparts.

But in the forest of northwest Michigan was a place apart, a “Black Eden” known as Idlewild. Here, black writers, thinkers, physicians, and entrepreneurs found a safe haven where they could escape the toxic weight of racism and segregation and simply relax.

“Everyone was like family to you,” said Edna Brown, who first came as a baby in 1940 and has since retired in Idlewild. “And you knew that there was no door that would ever be closed to you here.”

It rose to prominence as a meeting place for black intellectuals and reached national fame as a place to see and rub shoulders with some of the most famous black entertainers of all time. But the Idlewild Resort was first conceived by white business people who saw an opportunity.

In 1912, four white couples, two from Chicago and two from Michigan, formed an alliance called the Idlewild Resort Company (IRC). One of them, a Michigan man named Erastus G. Branch, homesteaded a plot of land along a peaceful mile-wide lake (then called Crooked Lake) then surrounded by undeveloped forest. In 1915, the IRC began purchasing and platting additional land, eventually acquiring more than 2,700 acres. They posted ads in regional black newspapers such as the Chicago Defender touting Idlewild as a “hunter's paradise" renowned “for its beautiful lakes of pure spring water” and “its myriads of game fish.” They hired African American salesmen and women to promote the resort, and in 1915 organized trips from Chicago, Detroit, and Cleveland so that prospective buyers could see it for themselves.

Madame C. J. Walker
Madame C. J. Walker, an entrepreneur, philanthropist, and a political and social activist, was among the first wave of property owners in Idlewild. Source: Wikicommons

It worked. The promise of what Idlewild could be attracted some of the most well-regarded African Americans of the time. One of the first to purchase property there was Dr. Daniel Hale Williams, one of the founders of Chicago’s Provident Hospital and the first surgeon in the U.S. to successfully perform open-heart surgery. Williams was soon followed by Madame C. J. Walker, whose beauty supply company made her the first woman and the first African American to become a self-made millionaire. In 1920, W. E. B. Du Bois, famed civil rights activist and co-founder of the National Association for the Advancement of Colored People, also visited Idlewild and bought his own piece of land. In a few short years, Idlewild became a safe and celebratory place where America’s black intelligentsia could gather in the summer on their own property and on their own terms to debate, network, and breathe fresh air.

In 1921, the original developers, of whom Du Bois spoke highly in the NAACP publication The Crisis, turned ownership and management of the resort over to the Idlewild Lot Owners Association, run by Idlewild’s new African American property owners.

In 1923, the Pere Marquette Railroad extended a branch line to the area. Meanwhile, shops, taverns, and entertainment venues proliferated.

“Idlewild at that time was a cultural and intellectual site,” said Ronald J. Stephens, professor of African American studies at Purdue University and author of two books about Idlewild. “Followers of Booker T. Washington, W. E. B. Du Bois and the NAACP, and Marcus Garvey, who at that point had been deported, basically controlled the township governments.”

For many, Idlewild became a cause, a sentiment reflected in a letter that Madame C. J. Walker wrote to the IRC in 1918: “I consider Idlewild a great national progressive movement…[I]t supplies a great pressing necessity to our people, namely, a national meeting place where the leading spirits from the various sections of the country may gather each year and discuss problems of national and race importance. Great good cannot but result from such a movement[,] and Idlewild[,] being located as it is in the heart of the Great Resort Sections of Michigan[,] makes it ideal for the combination of business and pleasure.”

Louis, Lil and Earl Hines boating with friends, Idlewild, Michigan, 1928
The caption reads, “Louis, Lil and Earl Hines boating with friends, Idlewild, Michigan, 1928.” Courtesy of Ronald J. Stephens

For a time, members of the NAACP organized annual Chautauquas during which people from all over the country gathered in Idlewild to enjoy a host of recreational and intellectual events. “They would talk about the critical issues of the day as they affected African American entrepreneurs and individuals,” said Stephens.

But it didn’t attract only intellectuals. Prominent black business people gravitated to the place, as did artists such as Louis Armstrong, who purchased a home there in 1928 and later wrote in his autobiography of the fun he had swimming and horseback riding. Everyone from mobsters such as Chicago’s Jones Brothers to Violette Neatley Anderson, the first African American female attorney admitted to practice before the U.S. Supreme Court, became homeowners or regulars on Idlewild’s shores.

Soon, the Idlewild Lot Owners Association included among their members property owners from more than 30 states.

“They felt like they had arrived at Heaven on Earth. It was a safe haven. Everyone felt like they could let their hair down and relax, and they felt secure,” Stephens said.

Du Bois later waxed poetically in the The Crisis, the official publication of the NAACP, that Idlewild was a place where “everybody knows everybody, and the world is happy.” Du Bois wrote:

...for sheer physical beauty — for sheen of water and golden air, for nobleness of tree and flower of shrub, for shining river and song of bird and the low, moving whisper of sun, moon and star, it is the beautifulest stretch I have seen for twenty years; and then to that add fellowship — sweet, strong women and keen-witted men from Canada and Texas, California and New York, Ohio, Missouri and Illinois — all sons and grand-children of Ethiopia, all with the wide leisure of rest and play — can you imagine a more marvelous thing than Idlewild?

After World War II, the expansion of America’s black middle class inspired black entrepreneurs to invest heavily in Idlewild’s tourism industry. A roller rink opened, as well as additional motels, gas stations, and even bigger and more elaborate nightclubs. By the early 1950s, according to Stephens, as many as 25,000 guests converged there in the summer months.

Vacationers dressed up for a night out in Idlewild, circa 1947
Vacationers — including Judge Joseph A. Craigen (second from right) — dressed up for a night out in Idlewild, circa 1947. Courtesy of the Lake County Historical Society

Detroit hotelier Phil Giles opened a new hotel as well as the popular Flamingo Club, while Saginaw businessman Arthur “Big Daddy” Braggs began orchestrating world-class shows at his Paradise Club. The elaborate productions, which included showgirls, singers, and entertainers of all types, helped earn Idlewild the moniker of the “Summer Apollo of Michigan.” The Arthur Braggs Idlewild Revue soon began touring the country in the off-season, making Idlewild a household name in places as far away as Oklahoma City, Montreal, and Boston.

Carlean Gill, a dancer at the Paradise Club from 1960 to 1964, later recalled her time there as part of an oral history project: “Everything was first-class — white tablecloths, best of steaks. At the time it gave you a sense of belonging. Mr. Braggs got cabins for us and paid a decent salary. Idlewild was fabulous, like New York or Paris. It was where the ‘top-of-the-line’ black entertainers went. The shows were directed and produced by black people[,] and the upper-class black people went there because they couldn’t go to resorts like those in Florida.”

“Those were the days when my parents and relatives would dress up in their finery, and they would go out and see the entertainment,” said Florence Harris, a fifth-generation Idlewilder whose grandmother was one of the first lot buyers. She said that her grandmother took her and her cousins to the Paradise Club on Sunday afternoons for the family-friendly matinees.

“Arthur Braggs would bring up all the showgirls, and I remember thinking they were so beautiful,” she said. “Those were good times.”

Exotic dancer Black Velvet
Fiesta Dolls, Braggets, and Clifford Fears
Jackie Wilson performs at the Paradise Club in Idlewild, circa 1960
Left: Exotic dancer Black Velvet appeared alongside headliner B. B. King at both the Flamingo and Paradise clubs in the summer of 1958. Center: The closing number of the Arthur Braggs Idlewild Revue at the Paradise Club, circa 1958, featuring the Clifford Fears (left), the Fiesta Dolls, and the Braggets. Right: Jackie Wilson performs at the Paradise Club in Idlewild, circa 1960. Courtesy of Ronald J. Stephens

Idlewild also became a welcomed stop for many legendary black performers. The Four Tops, Jackie Wilson, Della Reese, B. B. King, Cab Calloway, Etta James, Sarah Vaughan, and in later years, the queen herself, Aretha Franklin, all performed there, some of them repeatedly. Many also arranged extended stays so that they could enjoy the place or vacation there with their families.

But soon after the passage of the Civil Rights Act of 1964, interest in Idlewild waned. With the new world of opportunities suddenly open to them, black vacationers began exploring locales they had previously only dreamed of visiting.

“Once…we could go other places, we wanted to experience that, and we left,” said Idlewild retiree Carolyn Stevens, who has been coming to Idlewild since she was a baby and has since retired there. She said black vacationers branched out to faraway, previously restricted places such as Florida, Las Vegas, and elsewhere.

Today, Idlewild is home to a dwindling population of fewer than 1,000, most of them retirees with fond memories of summers spent there in their youth. 

Idlewild Lake
Idlewild Lake today. Photo by Erica Gunderson

More recent revitalization campaigns driven by the local community have led to the creation of the African American Chamber of Commerce in 2000, the Idlewild Historic and Cultural Center in 2003, and the installation of several historical plaques in 2009. And the National Idlewilders Club, which has local chapters in six cities (including two in Chicago), maintains the connections forged here decades ago with an annual festival.

Exotic dancer Black Velvet
Fiesta Dolls, Braggets, and Clifford Fears
Left: Cars parked outside Phil Giles’s Flamingo Bar, circa 1955. Courtesy of Ronald J. Stephens Right: A historical marker recognizes the former site of the Flamingo Club. Photo by Erica Gunderson

“The heyday of what it represented for middle-class and upper-class African Americans, and the entertainment era, that all has passed,” said Mary L. Trucks, director of the Idlewild Historical and Cultural Center. “But what remains is an undying interest in keeping it going.”

“It is deep in the hearts of the people who remember why Idlewild was necessary,” she said.